Hey hey there, if you have somehow stumbled upon this blog post and are wondering how to find your way back, please, do sit for a minute and I will walk you through something you might be interested in. You see, for one of my third-year classes – Digital Asia BCM320 – I was tasked with exploring a segment or part of a culture that I had little to no history with and use the experience to shape an account…

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  https://www.youtube.com/watch?v=YRFC9UsVpk0&feature=youtu.be   “Could the ability to organize massive protests quickly on Facebook and Twitter be making those protests vulnerable in the long term? If new technologies are so empowering, why are so many movements failing to curb authoritarianism’s rise? Is a glut of misinformation more effective censorship than directly forbidding speech? Why are so many of today’s movements leaderless?” – twitterandteargas.org    This and more is discussed in Zeynep Tufekci’s consider-all and awfully insightful Twitter and Tear Gas: The…

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Bonjourno, (just quickly, you should read this before you continue on here) Set the task of exploring a facet of a culture previously not experienced, I opened up to a type of research that prompts the researchers vulnerabilities (Ellis et al. 2011, 14.1.18) and cultural frameworks to gather insights typically unattainable. My field site being cosplay and its anime adaptions, I quickly realised that by immersing myself into the experience I felt vulnerable and certainly out of my comfort zone.…

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Ola mi amigos, time for another autoethnography project! Utilising autoethnography as an approach to research can reveal qualitative insights into areas that may go amiss with traditional research methodologies, made evident by the hundreds of BCM students to pass before me. I can particularly see how the process assists many in Digital Asia, encouraging students to view Asia as ‘another’ rather than ‘other’ through immersing themselves into the culture or point of interest. This week, we were tasked with selecting…

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This week in BCM320 we were right on to the next viewing for Digital Asia; ’88 famed anime, Akira. First, bring yourself up to speed on the film that arguably brought Japanese culture to the West; a story that follows the destruction of Neo-Tokyo at the hands of a warfare between teenage motorbike rebels and a group of kids with telekinetic powers. Set in 2019, the parallels between what was predicted from a post-cold-war produced film and how the world looks…

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